Shallipopi’s 22-Track Auracle Album Solidifies His Empire
Even the album’s title — a fusion of “Aura” and “Oracle” — reads like a mission statement. It suggests that Shallipopi’s meteoric ascent wasn’t just luck or charisma (the aura), but something foretold and inevitable (the oracle). Across a sprawling 22-track runtime, the Edo-born star doubles down on the Afro-pluto aesthetic that has become his trademark: a hypnotic blend of amapiano log drums, childlike melodic loops, and streetwise philosophies delivered in his signature drawling, unhurried tone.
A More Refined Yet Still Gritty Sound
Sonically, Auracle marks a noticeable evolution. While the familiar building blocks remain—rumbling basslines, trance-inducing hooks, minimalist drums—the overall mix feels bigger, cleaner, and more ambitious. Tracks such as the lead single “Laho” incorporate layered synth patterns and futuristic textures that elevate Shallipopi’s sound without compromising its raw, street-born edge.
The production team walks a fine line: polishing his music for global ears while preserving the grit that made him a phenomenon. It’s a delicate balance, but one largely achieved, preventing the project’s extended tracklist from drifting into monotony.
Global and Local Validation Through Features
The guest appearances on Auracle serve as further proof of Shallipopi’s rising empire. The inclusion of Atlanta rap star Gunna on “HIM” is a breakthrough moment—an organic fusion of Atlanta trap and Nigerian street-hop that highlights their shared rhythmic sensibilities.
Closer to home, the remix of “Laho” featuring Burna Boy feels like a ceremonial crowning. Burna’s gravel-toned authority pairs perfectly with Shallipopi’s feathery cadence, creating an electric back-and-forth destined for massive December replay value. These collaborations go beyond clout-chasing; they validate the “Pluto” sound on a global stage and prove that Shallipopi’s vibe-driven approach can stand alongside the world’s musical heavyweights.
An Artist Growing Into His Identity
Lyrically, Shallipopi remains an intriguing enigma. He continues to draw heavily from Benin street patois and slang, crafting hooks that seem deceptively simple on paper but become unforgettable as chants. Yet Auracle also reveals a more introspective side — meditations on fame, shifting friendships, and the chaotic acceleration of his life.
There’s a self-awareness threading through the project. Shallipopi knows his sound polarizes. He knows he isn’t writing for lyric purists. And unapologetically, he doesn’t care. He is speaking to his core believers — the Plutomanias — who find meaning in his ad-libs and mantras.
A Victory Lap for the Presido
Auracle is ultimately a victory lap. It cements Shallipopi not as a viral comet destined to fade, but as a cultural force who has defined his own lane and expanded it into a world. While the 22-track length inevitably introduces some filler, the highs more than justify the journey.
The Pluto wave, once dismissed by skeptics as a passing tide, now looks like a shift powerful enough to reshape Afrobeats for years to come. With this release, the Presido has secured his second term, and the approval ratings are soaring.

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